Aesthetic Realism & Our Lives

Ann Richards & Christopher Balchin

 

 

Teaching Through Aesthetic Realism

by Christopher Balchin

Christopher Balchin is from Ashford, Kent. He studies Aesthetic Realism in New York City and teaches history at Norman Thomas High School in Manhattan. Here he describes the response he had from pupils he taught using the Aesthetic Realism teaching method.

WITH more worry now than ever about children not learning, about racism in young people, and about youth violence, it is urgent for everyone to know the Aesthetic Realism teaching method. 

It is based on the philosophy Aesthetic Realism, which was founded by the great American educator Eli Siegel in 1941. He stated: "The purpose of education is to like the world through knowing it." 

And in this principle is the authentic means to meet that purpose: "The world, art, and self explain each other: each is the aesthetic oneness of opposites." 

Children, including the most cynical and defiant, become excited by the subject and genuinely kinder as they see that the subject represents a world that, through its structure of opposites, is thrillingly scientifically related to them and as they realise this they learn with pleasure and ease. 

For example, symbiosis. A year 7 biology class studied how symbiosis is a dramatic and surprising relation of the opposites of sameness and difference. 

Symbiosis is defined in Webster's New World Dictionary as: "the intimate living together of two kinds of organisms, especially where such association is of mutual advantage." 

In symbiosis the organisms are often strikingly different but they actually help each other. 

The children in this class had had a very hard time in school. Aesthetic Realism is new and kind in explaining that difficulty in learning begins with how we see the world itself. A child who feels that the world is his enemy will not want to take into his mind words, numbers, facts, coming from that world. 

These children were thrilled to learn about the lives of the hermit crab and the sea anemone - two very different creatures. The hermit crab finds an abandoned shell of suitable size to live in, for protection, that is good enough to thwart most predators. 

The fearsome octopus, however, has jaws that are strong enough to crush the crab, shell and all. So what this ingenious crab does is to take a living sea-anemone and place it on its shell, because the sea-anemone with all its luscious beauty has stinging tentacles that will repel the octopus. 

The sea-anemone gets something out of this relationship too. It has more mobility and is able to travel about the waters with the crab and to have access to foods it otherwise could not obtain. 

The class was made up of four different ethnic groups, and at the start of the term there had been bullying and racism, with some children making fun of each others' accents and skin colour. Eli Siegel explained the cause of all cruelty. It is contempt, the: "disposition in every person to think he will be for himself by making less of the outside world." 

Contempt is as ordinary as not listening while someone else is talking, and takes many forms in both pupils and teachers.  It's crucial for educators to know this. 

I asked the class: "What would happen if a hermit crab looked at a sea-anemone and thought, in the way that a prejudiced person might think: 'You look different - who needs you?'" 

"The octopus would eat it!" they said. 

"These two creatures are different but they add to and need each other," I said. "Does this show that what is different from us can add to us and make us more who we are?" 

The children agreed thoughtfully and went on to eagerly give examples of how needing the world made them more themselves such as needing the sun, oxygen, friends, food, music and such. 

Young people are yearning to feel that the world does make sense and that different things (and people) can add to each other's meaning. Through this lesson that is what happened. 

In other lessons we studied how, for instance, the human skeleton is an amazing relation of firmness and flexibility, with a ribcage strong enough to protect the heart but which expands and contracts every time we breathe. 

Pupils from one of the most economically deprived areas of New York City came to love biology, and they remembered the facts. Not only that, but these young people came to have a new sense of fellow-feeling, started listening to each other and came to view people of different cultures with respect. 

This method can be used to teach any subject at any level. It has been used with great success over a period of 25 years and is taught in bi-weekly workshops in New York City. You can find out more about it at www.AestheticRealism.org or by writing to the Aesthetic Realism Foundation, a non profit making educational foundation, at 141 Greene Street, New York, NY 10012, USA.

 

Here are further links about how Aesthetic Realism sees the arts & sciences, urgent cultural and economic matters, ethics, and the life questions of every person:

Anthropologist and author Dr. Arnold Perey tells of his field research in New Guinea and the classes he teaches today--and much more--at Aesthetic Realism: A New Perspective for Anthropology

For teachers, parents, and others, here are links that will tell you more about the Aesthetic Realism Teaching Method:

What makes a photograph beautiful? How can a photographer improve his or her work? What does the art of photography have to do with justice to people? Find out at Len Bernstein: Photographic Education Based on the Aesthetic Realism of Eli Siegel

Some of Eli Siegel's books, essays, lectures, and poems can be read at The Aesthetic Realism Online Library  Also, see what critics have said about Aesthetic Realism and Eli Siegel. 

Aesthetic Realism Associate Lynette Abel tells here about classes she attended taught by Eli Siegel, reports on classes conducted by Ellen Reiss, and reprints some of the newspaper articles she has written: Lynette Abel: Aesthetic Realism and Life

What interferes with our expression? Find out at Aesthetic Realism Encourages Self-Expression the website of Miriam Mondlin

Read Ellen Reiss's critical observations about the poetry of Robert Burns (one of our favourite poets). She shows how relevant what Burns was writing about 200 years ago is to what is going on today. His poetry has the terrifically just way of seeing people that is needed by government leaders and every one of us.

Aesthetic Realism explains that in order to really respect any person, whether someone of another culture or your own husband or wife, is to see that person as representing nothing less than the world itself. How can we see a person that way? Look at Eli Siegel's Is Beauty the Making One of Opposites? Ask yourself, does this person have opposites? Do they have every one of these fifteen pairs? (And more besides?) Is he/she trying to make sense of how they have these opposites?

Injustice can certainly be based on race, but it can also be based simply on seeing another person's way of meeting the world as different from one's own, and therefore less valuable. And about this, a person can be monumentally wrong. A classic instance of this in literary history is taken up by Ellen Reiss in relation to the great poet John Keats. And she shows the immediate relevance of this mis-seeing to our own lives and time.

One of our favourite links is to syndicated columnist Alice Bernstein. Her writing against racism has Aesthetic Realism as its basis.

To see what Aesthetic Realism is--and what it is not--see the website devoted to accuracy, honesty, justice--the plain truth!: Countering the Lies.

 

 

 

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